The Theme of Paralysis in The Love Song of J. Alfred Prufrock :: Love Song J. Alfred Prufrock Essays

The Theme of Paralysis in The fill out Song of J. Alfred Prufrock I put forward old ... I grow old ... I shall wear the bottoms of my trousers rolled. What does that mean, Mr. Marlowe? non a bloody thing. It just sounds good. He smiled. That is from the Love Song of J. Alfred Prufrock. Heres another one. In the elbow room the women come and go/Talking of Michael Angelo. Does that suggest allthing to you, sir? Yeah- it suggests to me that the guy didnt know truly much about women. My sentiments exactly, sir. Nonetheless I admire T. S. Eliot very much. Did you set up nonetheless ? (Chandler 356-7) The Love Song of J. Alfred Prufrock is one of the most influential poems of the twentieth degree Celsius (Williams 49). It is certainly not a issue song like what invariably that had been written before. The second and third lines shock the reader because of their unusual imagination that would be out of place in a traditional love poem, describing the setting sunlit sky as loo king like a patient etherised upon a table (Eliot 3). This etherised outside world is the key to apprehensiveness all of Prufrocks views. He is afraid of the increasingly industrialized and impersonal urban center surrounding him, and he is unsure of what to do and afraid to commit to any particular choice of action (Mays 112). Paralysis is the main theme of The Love Song of J. Alfred Prufrock. Eliot composed The Love Song of J. Alfred Prufrock during a period descent in 1909, and ending with the culmination of his first produce book, Prufrock and Other Observations, which was published in 1917 (Scofield 46). The changes he made over several years may account for the fragmentation of the poem, but the main theme of paralysis was ever present, and would continue to be a major theme of Eliots for much of his public life (Scofield 46). Originally, the poem was titled Prufrock Among The Women, which was later adapted and used in Sweeny Among The Nightingales, and of physical b ody parodied E. B. Brownings Bianca Among the Nightingales (Loucks 1). Eliot chose to use the more ironic title, of The Love Song of J. Alfred Prufrock instead, echoing the condition of his name that Eliot himself was using at the time, that of T. Stearns Eliot (Southam 1). In 1909, Eliot completed his undergraduate studies at Harvard, and wrote what would be relatively unchanged in its final edition, the beginning of Prufrock, lines 1-14.