Review on Mississippi Masala

Response Paper on Mississippi Masala (1991) the match of racism and race in the identities of the characters The themes of racial identities & interracial racism be ones that surface multiple times in the movie Mississippi Masala (1991) by Mila Nair. In the beginning of the film, we notice Jays resentment of having to leave his expanse Uganda. Jay argues with his childhood associate Okelo that he has been called a boot licker and a rat to Indians Uganda is my first home and India my second. It saddens Jay that after 34 years of his sustenance it all came down to the color of his skin.His childhood friend reminds him that Africa is for Africans pitch blackness Africans. The exile of southwestward Asiatics, which is en forced by military leader Idi Amin, tarnishes the think of the African cultivation for Jay. He, along with the other South Asians that are forced to leave, turns his back to the African culture he grew up and welcomes the Indian culture in American land. Jay e ven goes as far as not saying goodbye to his brother-like friend Okelo treating him with a cold shoulder. Jay fails to realize that his friends close mindedness is not one to blame for the ignorance that was going just about in Uganda.Another instance where race and the color of the skin create preconceived idea is at the wedding of mynahs cousin, where two ladies are gossiping. The ladies mark on Minas risque complexion, noting that one cannot be dark and without money and expect to get with Harry. Notice the appraisal for a fair or light skin color. This racism, coming from within the culture, is an pattern of the stcarpetgle that Mina and the family face. Because she is a darkie and poor, she cannot expect to woo the flavour of the rich Indian bachelor Harry.Racisms is used as a double-edged sword best seen when Uncle Jammubhai says that people of color stick togetherjoined we stand, divided we fall yet regards blacks as foreigners and troublesome if they tarnish the famil ys honor. Minas relationship with an African American is a call downs ultimate fear since it involves the South Asian daughter marrying individual who is neither Indian nor White. There are also cases of racial identities that fashion affected by the events that transpire. Mina regards herself as masala which is symbolic in regards to the prenomen of the movie.Masala is a mixture of spices, which we can take to represent her South Asian heritage. However, Mina was born and raised for part of her childhood in Uganda, so she also has African roots. Mississippi Masala represents a mixture of American and South Asian roots. While in exile from her first home Uganda, and existence raised through Indian culture, which she is geographically disconnected from, Mina learns to concurrently welcome the American culture and its ideals as well. In other words, Mina is embracing the hybridity of cultures.This case is seen best when we see her fit just veracious at her cousins wedding and t he African American dance club. Mina welcomes novelty and constructs her identity based on ideals from her present. Mina cares not to make the uniform mistake as her father and pursues and interracial relationship with African-American rug cleaner Demetrius. However both communities dont take their heart as light matter. The Indian community regards their love as a dishonor and shame to the family, with some mothers going as far affair it a rebellion and sending their daughters to their countries to get married.Demetrius, who worked hard to create his make clean company, gets a cold shoulder from his clients. The white lady, who gave a good testimonial of him to the bank, withdraws her good comments about him, and gets the bank to threaten to remove his loan. His aunt rosaceous says that the days of slavery are overbutthe world is not so quick to change. She is referring to the racism and the pointing of the fingers that occurs when one goes outside the norm of what is expect ed.